New Books / Reviews
Reviews of New Books Autumn 2026
One of the most deeply ingrained beliefs of our age is that perpetual economic growth is the solution to most, if not all, of society’s problem.
In Slow Down or Die, French economist Timothée Parrique brilliantly challenges this myth, demonstrating how producing more won’t solve climate change, poverty, or inequality. In fact, our obsession with growth is accelerating social and ecological collapse. This book proposes a different vision, tracing a path toward a “post-growth” economy where decisions are made collectively and democratically. The goal is not the infinite accumulation of wealth but the creation of a just, equitable, and sustainable society.
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The first love of a teenage girl is a powerful thing, particularly when the object of that desire is her best friend, also a girl. It’s the kind of power that could implode a family, a friendship, a life. On a quiet summer night in Newcastle, 1972, a choice must be to act upon these desires, or suppress them? To live an openly queer life, or to try desperately not to?
Over the following three decades, these two lives almost intersect in pivotal moments, the distance between them at times drawing so thin they nearly collide. Against the backdrop of an era including Australia’s first Mardi Gras and the AIDS pandemic, we see these two lives ebb and flow, with joy and grief and loss and desire, until at last they come together in the most beautiful and surprising of fashions.
Every day, María Dolz stops for breakfast at the same café. And every day she enjoys watching a handsome couple who follow the same routine.
Then one day they aren’t there, and she feels obscurely bereft. It is only later, when she comes across a newspaper photograph of the man, lying stabbed in the street, his shirt half off, that she discovers who the couple are. Some time afterwards, when the woman returns to the café with her children, who are then collected by a different man, and Maria approaches her to offer her condolences, an entanglement begins which sheds new light on this apparently random, pointless death?
One clear ice-cold January morning shortly after dawn, a wolf crosses the border between Poland and Germany. His trail leads all the way to Berlin, connecting the lives of disparate individuals whose paths intersect and diverge.
On an icy motorway eighty kilometres outside the city, a fuel tanker jack-knifes and explodes. The lone wolf is glimpsed on the hard shoulder and photographed by Tomasz, a Polish construction worker who cannot survive in Germany without his girlfriend. Elisabeth and Micha run away through the snow from their home village, crossing the wolf’s tracks on their way to the city. A woman burns her mother’s diaries on a Berlin balcony. And Elisabeth’s father, a famous sculptor, observes the vast skeleton of a whale in his studio and asks: What am I doing here? And why?
In 1987, Miri Ammerman returns to her hometown of Elizabeth, New Jersey, to attend a commemoration of the worst year of her life. Thirty-five years earlier, when Miri was fifteen, and in love for the first time, a succession of airplanes fell from the sky, leaving a community reeling.
Against this backdrop of actual events that Blume experienced in the early 1950s, when airline travel was new and exciting and everyone dreamed of going somewhere, Judy Blume imagines and weaves together a haunting story of three generations of families, friends, and strangers, whose lives are profoundly changed by these disasters. She paints a vivid portrait of a particular time and place, Nat King Cole singing “Unforgettable,” Elizabeth Taylor haircuts, young (and not-so-young) love, explosive friendships, A-bomb hysteria, rumours of Communist threat. And a young journalist who makes his name reporting tragedy. Through it all, one generation reminds another that life goes on.