New Books / Reviews
Reviews of New Books Spring 2026
France, 1915. An English nurse and German doctor fall in love. He is a prisoner of war; she has never cared for rules. Their love is visceral and urgent, forbidden and doomed, and it would have gone unrecorded if not for a series of drawings found more than a century later.
At first the drawings seem insignificant, but the woman who finds them glimpses moments of intimacy and can’t look away. The images become part of a puzzle she wants to solve: who were the lovers, what became of them, and what story of war was the artist trying to tell?
It’s business as usual for Ship Leader Parnell Shi-Sawahla and the crew of the corvette Sassafras. Ride a Massif to a new system, fight the enemy, repeat.
For more than two hundred years humans have been hitching rides on these sentient, star faring mountain ranges, colonizing planets and exporting an on and off again war between Earth and Mars. But the big questions are always there, behind every battle, every new colony, every new star system discovery. Why do the Massifs carry humans to the stars? Why do they help us export our wars? What’s in it for the Massifs? Ship crews aren’t supposed to ask these questions, they aren’t supposed to think about these questions, and they definitely aren’t supposed to go deep and talk to Massif avatars. But now Parnell and his tight-knit crew must try to find the answers, to save not only themselves but the future of humanity.
Leslie had felt for some time that life was a series of things that just happened to her. When her physiotherapist husband dumps her for a woman with superior posture, she finds herself lost without a map.
A ticket out of her misery comes in the form of an all-expenses paid trip to the bright lights of Las Vegas. Wonder, Leslie discovers, can be found in the most unexpected of places. Soon she falls in love with the beauty of the desert, its art and its people and finds her way back to herself.
November 1936. Mayor La Guardia’s political future buckles under a missing persons case in New York City. Simultaneously, Lane unravels devastating secrets in the outskirts of Detroit.
As two crimes converge, judging friends from enemies can be a dangerous game. Finally summoning courage to face the past, Lane Sanders breaks away from her busy job at City Hall to confront childhood nightmares in Rochester, Michigan. An unknown assailant left Lane with scattered memories after viciously murdering her parents. However, one memory of a dazzling solid gold pawn piece remains and with it lies a startling connection between the midwestern tragedy and a current mystery haunting the Big Apple.
Lady Anne Barnard lived at the heart of Georgian society, yet was never fully part of it. The Prince of Wales counted among many friends and she was brilliant in company.
But she was seen as an eccentric, an outsider. What defined this poet and musician, artist and hostess, was defiance of convention. High-born yet an egalitarian, she rejected numerous suitors, lived independently by buying and renting houses and travelled alone to observe the French Revolution. When she did marry it was to a junior army officer, twelve years younger than she, and together they withdrew to Africa. Her curious ways attracted gossip right into her final years when she raised a mysterious dark-skinned child at her home in Berkeley Square.
Freya thought she could relax when Ryan’s best mate Jamie got engaged to her best friend Hannah. Two couples, four friends – what could be better than that?
But a day before the wedding Freya’s torn between keeping the peace or blowing it up. Hannah’s perfect wedding is hours away and she’s daydreaming of a honeymoon in Tahiti and starting the family she longs for when she hears the first-responder sirens. Is it a grass fire? Worse? And why aren’t Ryan or Jamie answering their phones?
When a car veers off the road with devastating consequences, the small wheatbelt town of Garringarup is left reeling, but no one’s world is more shattered than Hannah and Freya’s. As disturbing details surrounding the accident emerge and questions pile up, ugly secrets rise to the surface.
From the soft green hills of Ireland to the wild Shipwreck Coast of southern Victoria, the rich farm lands of New South Wales to the sudden battlefields of Ballarat, this is an epic story of the cost of freedom and the value of love in a far-flung corner of the world where a new nation struggles to be born.
1851: After the death of her father, young Eve Richards is destitute. Her struggle to survive sees her deported in chains to the colony of New South Wales, penniless and alone. But here in this strange new world fortune smiles on the spirited, clever Eve in the shape of a respectable job offer that will lead to a quiet, secure life. Then the fiery and charismatic Irishman Kieran Clancy crosses her path.
Daisy is a girl coming of age in L.A. in the late sixties, sneaking into clubs on the Sunset Strip, sleeping with rock stars, and dreaming of singing at the Whisky a Go Go. The sex and drugs are thrilling, but it’s the rock ’n’ roll she loves most. By the time she’s twenty, her voice is getting noticed, and she has the kind of heedless beauty that makes people do crazy things. Also getting noticed is The Six, a band led by the brooding Billy Dunne. On the eve of their first tour, his girlfriend Camila finds out she’s pregnant, and with the pressure of impending fatherhood and fame, Billy goes a little wild on the road. Daisy and Billy cross paths when a producer realizes that the key to supercharged success is to put the two together. What happens next will become the stuff of legend.
A Cargo of Women traces the chequered story of one hundred women transported together as convicts in 1829 on the ship Princess Royal. Caught in an England convulsed by industrial change, they became the unwitting and unwilling pioneers of a new land. Framing them all is the story of the indomitable Susannah Watson who, trapped in the crowded filthy slums of Nottingham, stole because she “could not bear to see her children starving”. Separated forever from her husband and four children, Susannah was transported for 14 years but served 16. She endured the convict system at its worst, yet emerged triumphant to die in her bed aged 83 singing Rock of Ages.
It’s the winter of 2049 and Daniel is elderly and long isolated. Soon after yet another devastating storm, this time destroying his beloved longan tree, he finds his fragile peace threatened by a growing friendship with a widowed neighbour and the appearance of a young reporter digging into a shameful event buried deep in his past.
As the novel moves back to autumn 2000 and then to summer 1949 and finally to the spring of the mid-nineteenth century, Daniel’s family’s history unspools, until we meet a Chinese bushranger, Ah Yang.
Edda Mussolini was Benito’s favourite daughter: spoilt, venal, uneducated but clever, faithless but flamboyant, a brilliant diplomat, wild but brave, and ultimately strong and loyal. She was her father’s confidante during the 20 years of Fascist rule, acting as envoy to both Germany and Britain, and playing a part in steering Italy to join forces with Hitler.
From her early twenties she was effectively first lady of Italy. She married Galeazzo Ciano, who would become the youngest Foreign Secretary in Italian history, and they were the most celebrated and glamorous couple in elegant, vulgar Roman fascist society. Their fortunes turned in 1943, when Ciano voted against Mussolini in a plot to bring him down, and his father-in-law did not forgive him. In a dramatic story that takes in hidden diaries, her father’s fall and her husband’s execution, an escape into Switzerland and a period in exile, we come to know a complicated, bold and determined woman who emerges not just as a witness but as a key player in some of the twentieth century’s defining moments.
On a sweltering Friday afternoon in Durton, best friends Ronnie and Esther leave school together. Esther never makes it home. Ronnie’s going to find her, she has a plan. Lewis will help. Their friend can’t be gone; Ronnie won’t believe it.
Detective Sergeant Sarah Michaels can believe it, she has seen what people are capable of. She knows more than anyone how, in a moment of weakness, a person can be driven to do something they never thought possible. Lewis can believe it too. But he can’t reveal what he saw that afternoon at the creek without exposing his own secret. Five days later, Esther’s buried body is discovered. What do we owe the girl who isn’t there?
When Ivan Novak is shot dead putting out his garbage bins in Sydney’s west, his family wants revenge, especially his father Milan, a notorious crime boss.
It’s a job for the second son, Ivan’s younger brother Johnny. But Johnny loves his wife Amy and their son Sasha. And she’s about to deliver her ultimatum: either the three of them escape this wave of killing or she’ll leave, taking Sasha. Torn between loyalty to his family and love for his wife, Johnny plans the heist of a lifetime and takes a huge risk. Is he prepared to pay the price? And what choice will Amy make?
Tholdi is a romantic. A musical prodigy whose brilliant future is extinguished when the horror unfolding across Europe arrives at his door. One day he’s captivated by the beautiful, mysterious Lyuba who he meets on his sixteenth birthday; the next he wakes to the terrors of war as the Nazi-allied Romanians attack his town of Czernowitz.
A ghetto is built to imprison the town’s Jews before herding them onto trains bound for the concentration camps of Transnistria. With each passing day, Tholdi and his parents await their turn. And then Fate intervenes, giving them all a reprieve. At the weaving mill Tholdi secures work that spares him. He is elated. Until he discovers the two brothers who run the mill are Nazi collaborators hiding a terrible secret: the threat of transportation remains. When Tholdi sees one of the brothers with Lyuba, he glimpses a way to save himself and his family. But the stakes of his gamble are high. Will Lyuba be the key to their survival, or will Tholdi’s infatuation with her become a dangerous obsession that guarantees their death?
Sydney Redesdale, known as ‘Muv’, is often portrayed as different from her daughters – outside of that exclusive girl gang.
Without doubt, she was a divisive character, her daughters squabbling about the ‘real Muv’ for even longer than they argued about their political differences. Was she a scapegoat or saint, mother or manager? Even later biographers couldn’t quite pin her down. Just who was this elusive woman who nurtured such colourful children?
Yeongju is burned out. With her high-flying career, demanding marriage, and bustling life in Seoul, she knows she should feel successful, but all she feels is drained.
Haunted by an abandoned dream, she takes a leap of faith and leaves her old life behind. Quitting her job and divorcing her husband, Yeongju moves to a quiet residential neighbourhood outside the city and opens the Hyunam-dong Bookshop.
The transition isn’t easy. For months, all Yeongju can do is cry. But as the long hours in the shop stretch on, she begins to reflect on what makes a good bookseller and a meaningful store. She throws herself into reading voraciously, hosting author events, and crafting her own philosophy on bookselling. Gradually, Yeongju finds her footing in her new surroundings.
Authors Juniper Hayward and Athena Liu were supposed to be twin rising stars. But Athena is a literary darling while June is a nobody. Who wants stories about basic white girls?, June thinks.
So when June witnesses Athena’s death in a freak accident, she acts on impulse, stealing Athena’s just-finished masterpiece, an experimental novel about the unsung contributions of Chinese labourers during World War I. So what if June edits Athena’s novel and sends it to her agent as her own work? So what if she lets her new publisher rebrand her as Juniper Song, complete with an ambiguously ethnic author photo? This piece of history deserves to be told, whoever the teller. That is what June believes, and The New York Times bestseller list agrees.
Katherine O’Dell is an Irish theatre legend. As her daughter Norah retraces her mother’s celebrated career and bohemian life, she delves into long-kept secrets, both her mother’s and her own.
Katherine began her career on Ireland’s bus-and-truck circuit before making it to London’s West End, Broadway, and finally Hollywood. Every moment of her life is a star turn, with young Norah standing in the wings. But the mother-daughter romance cannot survive Katherine’s past or the world’s damage. With age, alcohol, and dimming stardom, her grip on reality grows fitful and, fuelled by a proud and long-simmering rage, she commits a bizarre crime
CeCe D’Aplièse has never felt she fitted in anywhere. Following the death of her father, the elusive billionaire Pa Salt, so-called by the six daughters he adopted from around the globe and named after the Seven Sisters star cluster, she finds herself at breaking point. Dropping out of art college, CeCe watches as Star, her beloved sister, distances herself to follow her new love, leaving her completely alone.
In desperation, she decides to flee England and discover her past; the only clues she has are a black-and-white photograph and the name of a woman pioneer who lived in Australia over one hundred years ago.
It is late at night on a notorious council estate in east London. A van garishly painted with a grinning clown’s face on the side is being driven erratically. When the police pull over the driver to question him, they discover, inside the van, the body of a young woman. A murder suspect, an arrest, a confession. A case done and dusted? But their suspect claims his victim is not his first, but his third.
Five years earlier, a 13-year-old girl disappeared in broad daylight on a busy London street. DCS James Langton headed the investigation and left no stone unturned. The fact that case was not solved has haunted him ever since. The enquiry has opened up again but, unable to lead it due to ill health, Langton brings in DCI Anna Travis. Meanwhile the murder team begins the laborious task of verifying the details of the confessions and uncovering the identity of the second victim. And then the suspect changes his story. They know they have a murderer in custody but is he a serial killer or just a compulsive liar?
Six months after the body of Josh Reynolds, a London nightclub owner, was found and determined by police and coroner to be a suicide, DCS James Langton tasks DCI Anna Travis to review the case.
Reynolds died from a single gunshot wound to the head, the gun held in his right hand. But details are emerging that suggest someone else may have fired the gun… As soon as she wraps up the case, Langton tells Anna, she can join him at the FBI Academy in Virginia for training. Meanwhile, a Senior FBI Agent, Jessie Dewar, crime scene expert, is seconded to Anna’s team as part of her research and immediately the competence of the original investigation team is questioned.
For Australia, a new nation with a relatively small population, the death of 60,000 soldiers during World War I was catastrophic. It is hardly surprising, then, that Australians evaluating the consequences of the conflict have tended to focus primarily on the numbing number of losses ― on the sheer quantity of all those countrymen who did not return. That there must have been extraordinary individuals among them has been implicitly understood, but these special Australians are unknown today. This book seeks to retrieve their stories and to fill the gaps in our collective memory. Farewell, Dear People contains ten extended biographies of young men who exemplified Australia’s gifted lost generation of World War I. Among them are accounts of an internationally acclaimed medical researcher; a military officer described by his brigadier as potentially an Australian Kitchener; a rugby international who became an esteemed administrator and a rising Labor star; an engineer who excelled on Mawson’s Antarctic mission; a visionary vigneron and community leader who was renowned for successful winemaking at an unusually young age; a Western Australian Rhodes scholar assured of a shining future in the law and/or politics; a Tasmanian footballer who dazzled at the highest level; and a budding architect from Melbourne’s best-known creative dynasty who combined an endearing personality with his family’s flair for writing and drawing.
John Cantwell, Queensland country boy, enlisted in the army as a private and rose to the rank of major general. He was on the front line in 1991 as Coalition forces fitted bulldozer blades to tanks and buried Iraqi troops alive. He served in Baghdad in 2006 and saw what a car bomb does to a crowded marketplace. He was commander of Australian forces in Afghanistan in 2010 when ten of his soldiers were killed. He came home in 2011 to be considered for the job of chief of the Australian Army. Instead, he ended up in a psychiatric hospital.
Exit Wounds is the deeply human account of one man’s tour of the War on Terror, the moving story of life on a modern battlefield: from the nightmare of cheating death in a field strewn with mines, to the utter despair of looking into the face of a dead soldier before sending his body home to his mother. Cantwell hid his post-traumatic stress disorder for decades, fearing it would affect his career.
In this third title in Joel Shepherd’s gripping quartet, we are reunited with the fearless heroine Sasha, Errollyn and the other familiar characters from Sasha and Petrodor.
The net is really closing in now, with the whole of Rhodia at war and the serrin – the beautiful and dangerous people from beyond the Bacosh – fighting for survival. The revolutionary politics of Tracato, and the clandestine attempts by the feudalists to hold onto power, are gripping and full of intrigue. The characters who were developing in the previous title blossom into their roles here, sharing the arena with Sasha, giving this novel an extra dimension that readers will love.
No period in British history has more resonance and mystery today than the sixteenth century. New Worlds, Lost Worlds brings the atmosphere and events of this great epoch to life.
Exploring the underlying religious motivations for the savage violence and turbulence of the period-from Henry VIII’s break with Rome to the overwhelming threat of the Spanish Armada-Susan Brigden investigates the actions and influences of such near-mythical figures as Elizabeth I, Thomas More, Bloody Mary, and Sir Walter Raleigh.
On a freezing night in January 2013, a hooded assailant hurled acid in the face of the artistic director of the Bolshoi Ballet.
The crime, organized by a lead soloist, dragged one of Russia’s most illustrious institutions into scandal. The Bolshoi Theatre had been a crown jewel during the reign of the tsars and an emblem of Soviet power throughout the twentieth century. Under Putin in the twenty-first century, it has been called on to preserve a priceless artistic legacy and mirror Russia’s neo-imperial ambitions. The attack and its torrid aftermath underscored the importance of the Bolshoi to the art of ballet, to Russia, and to the world.
The tiny South Island town of Franz Josef is perched precariously on New Zealand’s Alpine Fault. It already faces devastating earthquakes, floods and landslides. And now it harbours a killer.
When a body is discovered suspended in a glacier, detectives Nick Chester and Latifa Rapata are sent to investigate. More victims surface, as does a web of corruption stretching from the international aid industry to the blood-soaked fields of a civil war.
What antique would you kill for?
Freya Lockwood is shocked when she learns that Arthur Crockleford, antiques dealer and her estranged mentor, has died under mysterious circumstances. She has spent the last twenty years avoiding her quaint English hometown, but when she receives a letter from Arthur asking her to investigate, sent just days before his death, Freya has no choice but to return to a life she had sworn to leave behind. Joining forces with her eccentric Aunt Carole, Freya follows clues and her instincts to an old manor house for an advertised antiques enthusiast’s weekend. But not all is as it seems.
It’s 1679 and into the tumult, politics and colour of Restoration London and its lively theatre scene comes the fierce and opinionated Tribulation Johnson.
Cast out from her family as ungodly and unworthy, Tribulation is determined to forge her own remarkable path. Arriving in London, Tribulation is astonished to discover that the widowed cousin she’s been sent to live with is none other than the most infamous woman in the former spy and traitor’s mistress, the playwright and polemical poetess, Aphra Behn. Tribulation cannot believe her good fortune as she is thrust into city life and the heady, mercurial milieu of the theatre. Under Aphra’s guidance, Tribulation is encouraged to write, think and speak for herself. But women aren’t supposed to have a voice, or ideas, let alone wield a pen and write for a living, and there are harsh consequences for those who don’t obey society’s rules.
Featuring 80 diverse and cook-able recipes for home by the city’s best food innovators. With added context about why chefs do things the way they do, it’s a book that will teach people how to cook, not just follow a recipe. The featured dishes are not about taking something out of a restaurant and serving it at home, but about the perfect dish for home.
This is a celebration of the diversity, positivity and innovation that defines Melbourne food culture, and which evolved into something even more special in 2020. That year changed dining in Melbourne and how we think about chefs, restaurants and their place in our lives. We turned to chefs and our city’s food community for lessons and inspiration on how to cook simple things well. We couldn’t go to restaurants, so we brought the restaurants to us.